Identifier: cu31924064894607 (find matches)
Title: Modern etchings, mezzotints and dry-points
Year: 1913 (1910s)
Authors: Holme, Charles, 1848-1923 Salaman, Malcolm C. (Malcolm Charles), 1855-1940 Taylor, E. A Zilcken, Ph., 1857-1930 Levetus, A. S Deubner, Ludwig, 1877-1946 Laurin, Thorsten
Subjects: Etching Mezzotint engraving Dry-point
Publisher: London, New York (etc.) "The Studio" ltd.
Contributing Library: Cornell University Library
Digitizing Sponsor: MSN

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Text Appearing Before Image:
VIEILLES MAISONS, RUE HAUTEFEUILLE. ORIGINALETCHING BY HERMAN A. WEBSTER 15s
Text Appearing After Image:
... . 7>i,U, SUR LA QUAI MONTEBELLO. ORIGINALETCHING BY HERMAN A. WEBSTER 156 FRANCE FRANCE. By E. A. Taylor IN any development or new movement in art France has alwaystaken a leading part. Paris was quick to encourage the revivalof etching, which met with so little encouragement in England,and with its still greater recognition, uses, and progress the de-mand to-day for etchings has been the means of limiting theburin engraver to his original small field of exploit. It has not beenuncommon for me to meet artists whose original means of livelihoodhad been the engravers burin, to find later that they had thrown it overfor the freedom of expression that etching ofinsrs. Despite the vastincreasing roll of modern French etchers the honour of pre-eminencein the present, as in the past, must still be given to Auguste Lepere.The energy and vitality of youth are never absent from his maturedknowledge of line. In retaining those remarkable qualities throughoutlife lies the secret of the ind

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